As you might know, we use various antique letterpress printing presses made between the 1890s and the 1960s for making our note cards and prints. We pamper them daily, cleaning and oiling to ensure smooth and long-term operation.
"Baren-making" session with Mr. Goto in Tokyo today. The traditional Japanese burnishing tool for ukiyo-e prints is called "baren" and Mr. Goto is the only professional baren-maker alive today in Japan who makes the authentic baren. I learned to replace the outer bamboo covering from Mr. Goto who owns his own mountain to cultivate this particular type of bamboo used for this tool. Now I know how to replace the tattered bamboo coverings on my "baren"!!! I also enjoyed my visit with Mr. Matsumura at Woodlike Matsumura shop and learned more about various woodblock printing tools. . . So much to learn as always!!!
A glorious day in Shirakawago, an old village designated as a UNESCO World Heritage site. We stayed at one of the old Gassho-zukuri" farmhouse and explored the small village all day. I snuck in 1/2 hour sketch sessions here and there... so happy!
A beautiful day at Kenrokuen Garden in Kanazawa. Flowers in bloom everywhere. A group of ladies in blue uniforms picking weeds at the moss garden. So picturesque that I had to sketch these lovely ladies working quietly...
Today we visited Mr. Iwano Ichibei, a paper maker who was awarded the rank of Intangible Cultural Property, the highest honor in Japan for the arts. He lives in the quiet hamlet of Echizen, a village that has been making paper for over 1200 years. Frank and brisk, Mr. Iwano showed us his paper-making, the process that his ancestors developed over the centuries. Now 83 years old and ninth generation paper-maker with this name, he is working with his son. His motto that he learned from his father: "Never cut corners". Gathering courage I showed him my work and hesitantly asked him if he could make paper for me. He looked and nodded. So I think I'll be working with him in a near future!!!
Day 1 of my Japan trip. Guided by my stepson, Sosha Smith, we're exploring the Tohoku region that was devastated by the 2011 tsunami. Here are the view of the Matsushima Bay today and the image of my blockprint. Six years ago, I carved and printed 1500 blockprints (sold out) of this incredible bay with 260 islands. Our 100% donation was used to aid with the recovery effort in Tohoku region. (Thankfully these small picturesque islands protected the area of Matsushima from the tsunami disasters). Today the rebuilding efforts continue slowly, from building new roads and creating higher embankments against a future tsunami, to remaking the small coastal communities that had lost too many lives. Heartbreakingly beautiful and sad . . . beyond words.
Here is our Sosha, who first came to the Tohoku tsunami area with his sister Tamara, immediately after the disaster. Here he's showing us the lower beach area where once there was a thriving fishing community before the 15-meter tsunami engulfed it. Now it's just dirt, half-built roads, and a bunch of construction trucks there. Since the initial recovery efforts, Sosha has continued to travel to the area from his Tokyo home and to help with the reconstruction efforts. Now living in Minamisanriku in Tohoku-region, he has been working closely with the communities in the region and is actively operating a Nature-Education program called Earth Camp. http://www.ceco.jp/ec/ I have to admit I'm a very proud step-mom of these amazing individuals!
“This is the personal printing press that belonged to Elbert Hubbard,” explained Curt Maranto, as he toured me through the printing room at Roycroft Campus in the village of East Aurora, half-an-hour outside of Buffalo, New York. The old iron-hand press stood there, covered in dust. It seemed ready to be cleaned and oiled, to be put to a good use once again. Curt is a member of the Roycroft Campus Corporation (http://www.